Weeksville Heritage Center Presents Kriyol Dance! Collective with StoryCorps: An Active Listening Event
12:00 PM12:00

Weeksville Heritage Center Presents Kriyol Dance! Collective with StoryCorps: An Active Listening Event

For many years, the Haitian community, and others who trace their origins to nations of the Caribbean, have lived in Brooklyn communities. However, as gentrification has rapidly increased in recent decades, the face of the neighborhood has changed. Our sense of the history of these communities in Flatbush and East Flatbush is weakening. This is aggravated by the limited resources available for archival work centering lived experiences and community cultural practice.

Funded by a grant from the New York City Department of Cultural Affairs, StoryCorps connected with Kriyol Dance! Collective (KDC) and engaged in a partnership to formally document the history and legacy of Haitian communities of Flatbush and East Flatbush, to which KDC belongs. Together, the two organizations collected 5 recordings between artists and community members which reflect a shared cultural history and highlight opportunities to strengthen community cultural identity.  

Expanding on their practice of rootedness in place and community, Kriyol Dance! Collective opens a space at Weeksville Heritage Center to further engage, interrogate, and expand their work with StoryCorps. Through an afternoon long listening event -- that features recorded excerpts, archival work created by KDC collaborators, live performance, and public conversation about Haitian identity and Black culture in a rapidly gentrifying Brooklyn -- KDC invites local community members to contribute to a growing and living archive! 

12PM - 1:30PM - Introductions; Healing in Movement Workshop 

Lead by: Veroneque Ignace Drum: Master Drummer Seeyou

This workshop focuses on providing attendees with the opportunity to explore their own stories through movement, with the ultimate goal of communal meditation and healing.

1:30PM - 2:30PM - StoryCorps Listening Stations 

Lead by: Obden Mondesir 

This opportunity features archived recordings from KDC’s partnership with StoryCorps. Participating guests will be invited to engage with "KDC's Great Questions List" and to leave thoughts or notes about what they’ve heard. 

2PM, 3PM, 4PM - Guided Tours of Historic Hunterfly Road Houses

2:30PM - 3:30PM - Catering by Pikliz Cafe and Lounge 

3:30PM - 4:30PM - Musician’s Corner: Group Discussion & Drum Circle

Lead by: Master Drummer Seeyou and KDC Percussionist Okai Musik

This workshop centers dialogue about Haitian immigrant and Haitian-American musicians' lives and experiences as culture-bearers in the diaspora. The workshop also teaches the basics of Haitian drumming and Haitian musical composition.

4:30PM - 5:30PM Istwa Nan Je Yo: Presentation by Richard Louissaint

First generation Haitian-American filmmaker and photographer, and KDC Collaborator, Richard Louissaint, will present on his endeavor to build an interactive visual project that archives Haitian business in East Flatbush, Brooklyn, and, that addresses how place memory can be influenced by rapid gentrification.

5:30PM - 6PM - KDC Performance Excerpt of “Lavi Miyò: On Resistance, Revolution, and Lakou St. Michel Archange

Created by Veroneque Ignace, Kriyol Dance! Artistic director, Lavi Miyò is a collaborative dance, music, and visual arts project that employs storytelling and Haitian traditional music, dance, and oral history. The group will perform a short excerpt of their full-length seminal choreographic work. 

6PM - 6:30PM - Performance Q & A

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Community as Classroom: Reparations & Housing
3:00 PM15:00

Community as Classroom: Reparations & Housing

JACK and Weeksville Heritage Center present:

Community as Classroom: Reparations & Housing

Part of JACK’s ongoing series, Reparations365

Join us as we envision what role housing has in the repair of hundreds of years of racial trauma. We’ll explore the role housing has played in the past, both in black self-determination efforts like Weeksville, and with suppression and oppression of Black Americans by the government, banks, and corporations. We’ll delve into red-lining of the 1960s through the present-day issue of gentrification. Help co-create proposals for change with people of varied experience, including special guest speakers inaugural Nomura Emerging Artist winner Cameron Rowland, Lead Organizer of Equality for Flatbush Imani Henry, and Weeksville’s Oral History Project Manager Obden Mondésir. Moderated by former JACK Co-Director DeeArah Wright. A reception will follow the collective discussion.

Tours of the Historic Hunterfly Road Houses will be at 2:00pm, 3:00pm, and 4:00pm

Reparations365: From Memory To Movement is JACK's ongoing series of performances, workshops and discussions around the topic of distributive justice for Black Americans. Launched in February 2017, the series has so far consisted of 25 public offerings featuring a convergence of scholars, artists and activists. Through the series, participants discover multiple ways to engage with the topic, all with an intention of offering tangible take-ways for participants and a concrete movement forward.www.jackny.org/reparations365

Reparations365 is made possible in part by the Shelley & Donald Rubin Foundation and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.



Cameron Rowland’s work critiques legal and economic structures that enforce contemporary life. Rowland was born in Philadelphia, and currently lives and works in Queens, New York. Rowland has had solo exhibitions at The Museum of Contemporary Art, Los Angeles; Établissement d’en Face, Brussels; Galerie Buchholz, Cologne; Fri Art Kunsthalle, Fribourg, Switzerland; Artists Space, New York; and ESSEX STREET, New York.

Imani Keith Henry is the Founder and Lead Organizer for Equality for Flatbush, a people of color-led, multi-national grassroots organization that does anti-police repression, affordable housing and anti-gentrification organizing in Flatbush, East Flatbush, and Brooklyn-wide. E4F is also the convening organization of The Brooklyn Anti-gentrification Network (B.A.N).

Obden Mondesir is the Oral History Manager at Weeksville Heritage Center. He conducts public training, oral history collections, educational outreach, and public programming. He is currently working on an oral history project around Black Owned Restaurants in Central Brooklyn. He is also an adjunct lecturer of archival studies at Queens College.

DeeArah Wright (Moderator) is a Brooklyn-based mama, artist, mover, and collaborative leader. DeeArah is a former Co-Director of JACK, and her approach to activism, facilitation, leadership, and partnerships are informed by over 20 years of experiences and experiments in diverse fields, such as: education, dance and performance, social entrepreneurship, and community engagement. She is currently Director of Education at Brooklyn Children’s Museum and guides the strategy for innovative programming, collaborating with the BCM team and community to power a vision for inclusive and interactive learning experiences rooted in exploration, inquiry, and play.  DeeArah's current adventures also include writing, cooperative initiatives, and development of revolutionary educational framework and philosophy.

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Meals as Collective Memory: A Conversation on Food and Place
3:30 PM15:30

Meals as Collective Memory: A Conversation on Food and Place

The impact of gentrification in Brooklyn’s changing neighborhoods has been widely discussed as it pertains to housing, transportation, and jobs. But what about its impact on what reaches our communities’ plates?

Join us on May 11th as food writers  Nikita Richardson and Ligaya Mishan unpack the topic of “food gentrification” and what it means for Central Brooklyn in a conversation moderated by Prof. Sharon Zukin.

This event is a part of Meals As Collective Memory,  an oral history project powered by Weeksville Heritage Center (WHC) in partnership with NYC Commission On Human Rights that celebrate and explore Brooklyn’s food culture from across the African diaspora. In addition, Meals as Collective Memory promotes the kind of self-reliance that made historic Weeksville a model community by providing workshops to assist residents in starting or expanding their own food businesses.

Participant Bios:

Nikita Richardson is a staff writer at Grub Street at New York Magazine, where she focuses on the New York dining scene as well as trends in food.

Ligaya Mishan writes for the New York Times and is a contributing editor at T magazine. Her essay “Born in the U.S.A.: The Rise, and Triumph, of Asian-American Cuisine” was selected for the 2018 edition of Best American Food Writing. Her criticism has appeared in the New York Review of Books and The New Yorker. She is the daughter of a Filipino mother and a British father and grew up in Honolulu, Hawaii.

Sharon Zukin professor of sociology at Brooklyn College and the Graduate Center of the City University of New York.  She is the author of Naked City: The Death and Life of Authentic Urban Places and the coauthor of Global Cities, Local Streets, a book about neighborhood shopping streets from New York to Shanghai.  Her new book on New York’s tech economy will be published in 2020.

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Meals as Collective Memory: A Listening Party on Black-Owned Restaurants
1:30 PM13:30

Meals as Collective Memory: A Listening Party on Black-Owned Restaurants

When you think of home what is the first meal that comes to mind?

What smells inspire nostalgia of your favorite memories?

Weeksville Heritage Center in partnership with New York City Commission on Human Rights invites you to Meals as Collective Memory: Using The Senses As Memory. We will be convening for an afternoon of deep listening and conversation on Black-owned restaurants in the community. In this session, participants will hear oral history selections centered on aspirational restaurateurs and chefs collected by Weeksville Heritage Center.

These oral history clips chronicle the experiences that inspired the narrators to open their own restaurants and their journey through the culinary world. Featured restaurants include Lakou Cafe, Pikliz, Island, and more.

Guided by these clips, participants will explore, through intergenerational dialogue, their memories related to food and its cultural significance in their lives. All ages are welcome.

The event will feature catering from Lakou Cafe in Crown Heights.

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Weeksville Heritage Center Presents the 4th Annual Grand Champion Poetry Slam
7:00 PM19:00

Weeksville Heritage Center Presents the 4th Annual Grand Champion Poetry Slam

Our Grand Champion Poetry Slam, in collaboration with the Green Earth Poets Cafe, returns for its fourth year. Be inspired and spellbound by the spoken word as ten poets compete for the top prize!

Join Weeksville as we present our 4th Annual Poetry Slam in partnership with Green Earth Poets Cafe!

10 Poets Will Take the Stage. Will you be One?

Saturday, April 13

Pre-Slam Mixer: 6:00 - 7:00 PM

Poetry Slam: 7:00 - 9:00 PM

Post-Slam Open Mic: 9:00 - 10:00 PM

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Weeksville Heritage Center & Vera List Center for Art and Politics Present: Seminar No. 5 of Freedom of Speech: A Curriculum for Studies Into Darkness
1:00 PM13:00

Weeksville Heritage Center & Vera List Center for Art and Politics Present: Seminar No. 5 of Freedom of Speech: A Curriculum for Studies Into Darkness

Seminar 5 of Freedom of Speech: A Curriculum for Studies Into Darkness

A Time For Seditious Speech

Free speech for African Americans has always been affected by space. These spaces being socially produced, operating between people, groups, and institutions. The Free Black press in the early 19th century created a national space that promoted a radical new order for society, as articulated at the Colored Conventions, where already free and once captive Black people came together between 1830 and the 1890s to strategize about political, social, and legal justice. At one such convention, in 1843 in Buffalo, New York, the Reverend Henry Highland Garnet delivered an inspirational speech that shocked the delegates to the convention. Later referred to as the Call to Rebellion speech, Garnet asked his brothers to turn against their masters, affirming that "neither god, nor angels, or just men, command you to suffer for a single moment. Therefore it is your solemn and imperative duty to use every means, both moral, intellectual, and physical that promises success." The speech entreated enslaved Africans in the south to secure liberty through resistance.

As part of the year-long seminar series Freedom of Speech: Curriculum for Studies into Darkness, A Time for Seditious Speech proposes speech as a call to direct action, perhaps even violence.

The event will begin with a performative reading of Garnett’s Call to Rebellion professional and student actors enacting portions of the text against the background of the gardens and Hunterfly Homes. Following this a performative walk-through, historian and writer Kazembe Balagun will moderate a conversation with curator and historian Prithi Kanakemdala and media and technology lawyer Nabiha Syed to examine the relationship between the first amendment, race, and place. Balagun will then invite artists Michael Rakowitz and Dread Scott to make presentations both of whom have engaged in cultural boycotts as a strategy that calls for engagement of a different kind. Scott is currently developing the restaging the largest slave revolt in American history, the German Coast from 1811 in New Orleans. A group discussion will follow.

Inspired by a more recent slave rebellion -- Denmark Vesey’s thwarted slave uprising in 1822 in Charleston, South Carolina – Garnet employed the societal mores enmeshed in the “peculiar institution of slavery” in his rebellious rhetorics, thus subverting their power and practicing free speech to expand our ideas of citizenship and create equitable spaces for people of color. Set at Weeksville, one of the first intentional communities of free Black people in New York, A Time for Seditious Speech will engage participants through immersive performance and dialogue around Garnet’s oratorical missive and raise questions that continue to dominate the national discourse.


Kazembe Balagun is a cultural historian, activist, writer, youngest son of Ben and Millie, and originally from Harlem, New York. From 2008 to 2013, he served as Director of Outreach and Education at the Brecht Forum in New York, where he helped bring together performance art, LGBT history, film, and jazz with Marxism and the Black Radical Tradition. He is a frequent contributor to the Indypendent, where he published the last interview of Octavia Butler (included in Consuela Francis’ Conversations with Octavia Butlers, University Press of Mississippi). Most recently, Finally Got the News: The Printed Legacy of the Radical Left (Common Notions) published Balagun’s essay on art and people of color communist collectives. He was a member of the Red Channels Film Collective and has presented at Metrograph, Brooklyn Academy of Art, Brooklyn Public Library, Woodbine, and Maysles Cinema. He serves as a project manager with the Rosa Luxemburg Stiftung—New York and is working on a project looking at uncovering the history of the Black Commune.

Rob Fields is the President & Executive Director of Weeksville Heritage Center, a Brooklyn-based arts and culture center built on the historic site of one of the largest free black communities in pre-Civil War America. Prior to Weeksville, Fields was the marketing director for CMO Initiatives at the Association of National Advertisers, a marketing industry trade association. Over his career in marketing, he has worked for brands such as IBM, Burger King, Panasonic, and General Motors, and for arts and culture organizations such as the Caribbean Cultural Center African Diaspora Institute (CCCADI), the Black Rock Coalition, and the Urbanworld Film Festival. Fields has been a longtime proponent of progressive, left-of-center global black culture, which he highlighted through Bold As Love, an online magazine he actively published from 2007 to 2017.His writing has appeared in Forbes, The Huffington Post, The Root, The Grio, and PSFK, to name a few.

Prithi Kanakamedala is a historian and curator based in Brooklyn, New York. She is an Assistant Professor in the History Department at Bronx Community College of the City University of New York. Her research interests include New York’s free black communities in the antebellum period, the history of New York City, and material culture of the Black Atlantic with a public history focus. 

Michael Rakowitz is an artist living and working in Chicago. His work has appeared in venues worldwide including dOCUMENTA (13), P.S.1, MoMA, MassMOCA, Castello di Rivoli, the 16th Biennale of Sydney, the 10th and 14th Istanbul Biennials, Sharjah Biennial 8, Tirana Biennale, National Design Triennial at the Cooper-Hewitt, and Transmediale 05. He has had solo projects and exhibitions with Creative Time, Tate Modern in London, MCA Chicago, Jane Lombard Gallery in New York, Galerie Barbara Wien, Berlin, Rhona Hoffman Gallery, Chicago and Kunstraum Innsbruck. He is the recipient of the 2018 Herb Alpert Award in the Arts; a 2012 Tiffany Foundation Award; a 2008 Creative Capital Grant; a Sharjah Biennial Jury Award; a 2006 New York Foundation for the Arts Fellowship Grant in Architecture and Environmental Structures; the 2003 Dena Foundation Award, and the 2002 Design 21 Grand Prix from UNESCO. He was awarded the Fourth Plinth commission in London’s Trafalgar Square,on view through 2020. A traveling survey of his work will be shown at Whitechapel Gallery in London and Castello di Rivoli Museo d’Arte Contemporanea in Torino in 2019. Rakowitz is Professor of Art Theory and Practice at Northwestern University. 

Dread Scott makes revolutionary art to propel history forward. His work is exhibited across the U.S. and internationally. For three decades he has made work that encourages viewers to re-examine unifying ideals and values of American society. In 1989, the entire U.S. Senate denounced and outlawed one of his artworks and President G.H.W. Bush declared it “disgraceful” because of its transgressive use of the American flag. His art has been exhibited or performed at the Whitney Museum, MoMA/PS1, the Walker Art Center and galleries and street corners across the country. His works can be hard-edged and poignant. Dread plays with fire—metaphorically and sometimes literally—as when he burned $171 on Wall Street and encouraged those with money to burn to add theirs to the pyre. 

Nabiha Syed is an American media and technology lawyer. She has been described as "one of the best emerging free speech lawyers" by Forbes magazine. Nabiha’s work has included successfully defending BuzzFeed’s publication of the Steele Dossier; representing asylum-seekers in south Texas; presenting on online misinformation at the inaugural Obama Foundation Summit; fighting for public access to NYPD disciplinary proceedings and hearings at Guantanamo Bay, Cuba; and serving as the First Amendment Fellow at The New York Times. A Marshall Scholar, Syed also co-founded the Media Freedom and Information Access legal clinic at Yale Law School, of which she is a graduate and a visiting fellow. Starting in June, Nabiha will be the General Counsel of The Markup, an investigative journalism publication that focuses on the ethics and impact of technology on society.

Jeremiah Hosea is a dynamic and experienced New York-based bassist, vocalist and producer who thrives on creation and collaboration. His approach to music is as a universal form of communication through which he strives to build as diverse and meaningful a career as possible. Drawing deeply on his familial roots, his experience as a bassist and his radical political convictions, Hosea founded Earthdriver the Mothership band in 1999 and the progeny of that project became Earthdriver.org (an artist and activist collective/record label dedicated to showcasing and facilitating socially relevant, diverse musical acts)

The seminar series Freedom of Speech. A Curriculum for Studies into Darkness is organized by the Vera List Center for Art and Politics as part of the center's 2018–2020 curatorial focus If Art Is Politics. It is directed by Carin Kuoni, Director/Chief Curator, Vera List Center, and Laura Raicovich with assistance by Gabriela López Dena. Partner organizations for the seminars are ARTICLE 19the National Coalition Against CensorshipNew York Peace Institute; and Weeksville Heritage Center.

Seminar 5 is co-curated by The Vera List Center for Art and Politics and Weeksville Heritage Center.


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Weeksville Weekend Women’s History Month Wikipedia-thon
12:00 PM12:00

Weeksville Weekend Women’s History Month Wikipedia-thon

Weeksville, Wikipedia, and Columbia University are pleased to bring you the Weeksville Weekend Women’s History Month Wikipedia-thon. The aim of this Women’s History Month event is to understand the challenges facing women and explore solutions. After the panel, there will be a Wikipedia edit-a-thon to learn how to use Wikipedia to improve content about women, and in light of Weeksville Weekend particularly information on women’s contribution to freedom colonies like Weeksville. Wikipedia is the world's largest site for knowledge, the world’s largest encyclopedia, and the 5th most visited website.

 Moderated by #WikiHBCU/DIO co-founder & Columbia's first Wikipedia Fellow, Wikimedian-In-Residence (WiR) and Visiting Scholar Darold Cuba, the panel includes an equitable array of voices of parity from different fields, identities and gender perspectives exploring these issues through their own work.

Edit-a-thon: 12-4 PM

  • Registration at 11:30 AM 

  • Panel starts at 12:00 PM

  • A Wikipedia training session will begin at 1:15 PM

  • We will take a group photo at 3:30 PM and have time for reflections and feedback 


  1. Obden Mondesir, Weeksville’s Oral History Project Manager

  2. Nida Khan, journalist and producer 

  3. Samaria Haysbert,#WikiHBCU/DIO cofounder & Columbia HBCU Fellow

  4. Rachel Cuba, #WikiHBCU/DIO co-founder & AfroCrowd DC

  5. Amir Baradaran, An0ther{AI}ra Summit founder & Little Haiti Knight Foundation project creator

  6. Miriam Grill, An0ther{AI}ra producer & Columbia MFA Theatre candidate

  7. Abigail Napp, CUNY Journalism MA candidate

  8. Alissa Rae Funderburk, Deputy Director; Columbia Life Histories

  9. Erika Lively, Researcher; Brooklyn Museum, “Losts Ghosts of the Dry” (Nicodemus, KS) creator

  10. Nemo Chen, #WikiHBCU/DIO co-founder & AfroCROWD DC

Wikipediathon (Edit-a-thon and training)

How to prepare before the Wikipedia editing training workshop edit-a-thon

  • Bring your laptop: Editing Wikipedia is easier with a keyboard.

  • Bring a published source to cite: Suggested books and papers will be available at the event. If you like, bring an academic paper or other reliable sources of information to cite, to support your addition to Wikipedia. You will use Wikipedia to distribute information from this source. Try to bring the highest quality most reputable source you can find for the information.

  • Create a Wikipedia account, if you do not have one already.

  • If you wish, take Wikipedia's own 30-minute online training and tour at The Wikipedia Adventure.

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Inspired by Malcolm X: Healing and Self-Determination Through the 4MX Greenhouse
11:45 AM11:45

Inspired by Malcolm X: Healing and Self-Determination Through the 4MX Greenhouse

In this special edition of Weeksville Weekends for Black History Month 2019, A Blade of Grass Fellow Jordan Weber will present his project 4 Malcolm X Greenhouse, centered around a greenhouse he built on the foundation of Malcolm X’s birth home in North Omaha, Nebraska. Inspired by Malcolm X’s legacy of self-empowerment and determination, the project provides a space for the North Omaha community to grow food and medicinal plants, engage in spiritual and contemplative practices, and to push back against poverty and pollution to build sustainable economies. A community conversation hosted by Weber, Weeksville Heritage Center staff, and Weeksville Artists-in-Residence Mendi + Keith Obadike will follow. Audiences are then invited to experience interactive sessions with other NYC-based initiatives doing similar work.

Audiences will also have an opportunity to visit the exhibition Mendi + Keith Obadike’s  Utopias: Seeking For A City, a sound and video installation that will be on display in our 1860s house through April 13. The installation asks visitors to think about the songs and stories that inspired African-Americans to create Black towns like Weeksville.  For more information on the installation is here: http://www.weeksvillesociety.org/utopias

These activities will be complemented as always by hands-on art making workshops for youth and tours of the Historic Hunterfly Road Houses at Weeksville.



Ocean drum healing sound demonstration with Sheps Hetep Ancestral Music


Salah prayer session


Opening statements & history of Malcolm X in Brooklyn by Weeksville staff; presentation of 4MX Greenhouse by Jordan Weber, followed by community conversation with Mendi + Keith Obadike & Weeksville staff


Moon Mother Apothecary founder Suhaly Bautista-Carolina offers a presentation on ancestral plant medicine followed by a tea tasting & market


Brooklyn Zen Center offers two guided meditation sessions on undoing racism


House tours of the Historic Hunterfly Road Houses at Weeksville


Brooklyn Zen Center offers two guided meditation sessions on undoing racism


Studio Squared: Intention Beading Workshop with The Black School – Session #1 –  The Studio Museum in Harlem and ABOG Fellows The Black School co-present two beading workshops that invite participants to create intention beads inspired by Malcolm X's legacy of community healing and self-determination. These workshops offer a space to create tangible objects that hold the promise of intentional future actions.


House tours of the Historic Hunterfly Road Houses at Weeksville


DanceAfrica community dance workshop


House tours of the Historic Hunterfly Road Houses at Weeksville


Studio Squared: Intention Beading Workshop with The Black School – Session #2 –  The Studio Museum in Harlem and ABOG Fellows The Black School co-present two beading workshops that invite participants to create intention beads inspired by Malcolm X's legacy of community healing and self-determination. These workshops offer a space to create tangible objects that hold the promise of intentional future actions.


365 Days of Black Resilience—Honoring and embodying the humanity and value of Black life is a lifelong investment that needs all of us. Adaku Utah of Harriet’s Apothecary will host a session to explore resilience practices that honor Black lives, from abolition to deep impactful listening, to getting in the right relationship with the Earth and so much more.


Ocean drum healing sound demonstration with Sheps Hetep Ancestral Music


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